Julius CaesarH. Holt, 1904 - 92 Seiten |
Im Buch
Ergebnisse 1-5 von 21
Seite xiv
... sense insight into the inmost soul of things native to him , he may have realised that his plays constituted " a full - orbed whole , " that his creative period was ended , and that any additions to his works might only weaken not ...
... sense insight into the inmost soul of things native to him , he may have realised that his plays constituted " a full - orbed whole , " that his creative period was ended , and that any additions to his works might only weaken not ...
Seite xxix
... sense and virtue ( as Cicero observes ) could not but condemn his nocturnal revels , his enormous extravagance , his scandalous lewdness , his sleeping in the day , his walks to work off the effects of debauchery , and his ...
... sense and virtue ( as Cicero observes ) could not but condemn his nocturnal revels , his enormous extravagance , his scandalous lewdness , his sleeping in the day , his walks to work off the effects of debauchery , and his ...
Seite xxxiv
... sense , however slight , the line so distinguished is termed " stopped " or " end stopped . " In Shakespeare's early plays , the sense , so to speak , was brought to " pause " at the end of each line - as in the following passage : - a ...
... sense , however slight , the line so distinguished is termed " stopped " or " end stopped . " In Shakespeare's early plays , the sense , so to speak , was brought to " pause " at the end of each line - as in the following passage : - a ...
Seite xxxv
... sense and the rhythm are wholly contained within that line or couplet . 4. An Unstopped Line or Couplet is one where the sense is not wholly contained in that line or couplet , but runs over into the next or succeeding lines . 5. The ...
... sense and the rhythm are wholly contained within that line or couplet . 4. An Unstopped Line or Couplet is one where the sense is not wholly contained in that line or couplet , but runs over into the next or succeeding lines . 5. The ...
Seite vii
... sense in Elizabethan days . We now use " after " only as a preposi- tion , rarely as an adverb , and only after verbs of motion , as " he ran after him . " I. ii . 76. Scandal : here means to slander . Cf. Cymbeline , III . iv . 62 . I ...
... sense in Elizabethan days . We now use " after " only as a preposi- tion , rarely as an adverb , and only after verbs of motion , as " he ran after him . " I. ii . 76. Scandal : here means to slander . Cf. Cymbeline , III . iv . 62 . I ...
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Alarum Antony and Cleopatra battle bear blood Brutus and Cassius Caius Calpurnia Capitol Casca Cassius Cicero Cinna Coriolanus Cymbeline death Decius Brutus doth Elizabethan enemy Exeunt Exit fear Fourth Cit give gods Hamlet hand hast hath hear heart Henry honour humour ides of March Julius Cæsar King Lear Lepidus Ligarius live look lord Love's Labour's Lost Low Lat Lucilius Macbeth Mark Antony means Messala Metellus Cimber night noble Brutus Octavius Othello Philippi phrase Pindarus play Plutarch poet Pompey Pompey's Portia Publius Richard Richard III Roman Rome Scene Schmidt Senate sense Shake Shakespeare speak spirit stand Stratford Strato sword syllable tell Tempest theatre thee things Third Cit thou art Tiber Titinius to-day Trebonius Troilus and Cressida unto verb Volumnius word wrong ΙΟ
Beliebte Passagen
Seite 12 - I come not, friends, to steal away your hearts; I am no orator, as Brutus is; But as you know me all, a plain blunt man. That love my friend: and that they know full well That gave me public leave to speak of him. For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech, To stir men's blood...
Seite xviii - In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets...
Seite 23 - O, I could weep My spirit from mine eyes! There is my dagger, And here my naked breast: within, a heart Dearer than Plutus' mine, richer than gold: If that thou be'st a Roman, take it forth: I, that denied thee gold, will give my heart: Strike, as thou didst at Caesar; for I know, When thou didst hate him worst, thou lovedst him better Than ever thou lovedst Cassius.
Seite 21 - You say you are a better soldier: Let it appear so; make your vaunting true, And it shall please me well: for mine own part, I shall be glad to learn of noble men. Cas. You wrong me every way; you wrong me, Brutus; I said, an elder soldier, not a better: Did I say "better"?
Seite 6 - I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, — not without cause: What cause withholds you, then, to mourn for him? O judgment, thou art fled to brutish beasts, And men have lost their reason! — Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me.
Seite 20 - I an itching palm? You know that you are Brutus that speak this, Or, by the gods, this speech were else your last. BRU. The name of Cassius honours this corruption, And chastisement doth therefore hide his head. CAS. Chastisement! BRU. Remember March, the ides of March remembe: ! Did not great Julius bleed for justice' sake ? What villain touch'd his body, that did stab, And not for justice?