Conceptualizing Music: Cognitive Structure, Theory, and AnalysisOxford University Press, 2002 - 360 Seiten This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles. |
Inhalt
Conceptualizing Music | 3 |
PART I ASPECTS OF COGNITIVE STRUCTURE | 21 |
PART II ANALYSIS AND THEORY | 135 |
Cognitive Structure Theory and Analysis | 325 |
335 | |
353 | |
Andere Ausgaben - Alle anzeigen
Conceptualizing Music: Cognitive Structure, Theory, and Analysis Lawrence M. Zbikowski Eingeschränkte Leseprobe - 2002 |
Conceptualizing Music: Cognitive Structure, Theory, and Analysis Lawrence M. Zbikowski Eingeschränkte Leseprobe - 2002 |
Conceptualizing Music: Cognitive Structure, Theory, and Analysis Lawrence Michael Zbikowski Eingeschränkte Leseprobe - 2002 |
Häufige Begriffe und Wortgruppen
account of musical basic bass Beethoven beginning bell-path bells blended space Bye Bye Blackbird cadence century ceptual chap chapter Chicago chord compositional strategy conceptual blending conceptual domains conceptual metaphor conceptual models correlated cresc cross-domain mapping cultural developed Die schöne Müllerin discussion Eeyore Eleanor Rosch elements example harmonic human input spaces intervals jazz Jeff Jeff’s Leidensmotiv Ludwig van Beethoven measure-categories measures melody mental spaces metaphor motive forms movement Mozart music theory musical discourse musical form musical materials musical syntax Musikalisches Würfelspiel Nonetheless notation notion pattern performance perspective phrase piano pitch-events pitches poem Rameau relationships rhetoric Rhythm Robert Schumann Schenker Schoenberg Schubert’s Schumann’s Signifyin(g sonata sonata form song sort specific stanzas String Quartet text painting theories of music theorists tion tonal tonic Tristan und Isolde Trockne Blumen tune Twinkle typical understanding Ursatz variant voice Wagner’s waltz