Charles Lamb and Elia

acting affected appeared believe better boys called character Charles Coleridge coming common confess critical dear death dreams Elia essay expect faces fancy feel give gone grace half hand head hear heart hope Hospital human imagination John keep kind lady Lamb Lamb's late least leave less light live London look Magazine manner Mary master mean mind moral morning nature never night object occasion once passed passion past perhaps person picture play pleasure poor present pretty Quakers reader reason received remember scene seemed seen sense Shakespeare sort spirit stage stand story things thou thought tion told true turn volume walk week whole write wrote young