Julius CaesarBurgess & Bowes, 1904 - 252 Seiten |
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Seite xvii
... cause of the whole drama - of the later scenes no less than of the earlier , for death really serves to intensify his power - and he is alone indispensable to it . even . X. ITS CONSTRUCTION . The construction of Julius Cæsar is ...
... cause of the whole drama - of the later scenes no less than of the earlier , for death really serves to intensify his power - and he is alone indispensable to it . even . X. ITS CONSTRUCTION . The construction of Julius Cæsar is ...
Seite xxii
... cause to spurn at him " ( II . I. II ) : rather he is Cæsar's friend , and is therefore moved by conflicting emotions , by " passions of some difference " ( 1. 2 . Conflict be- tween his love of Cæsar and his duty to Rome . 40 ) . But ...
... cause to spurn at him " ( II . I. II ) : rather he is Cæsar's friend , and is therefore moved by conflicting emotions , by " passions of some difference " ( 1. 2 . Conflict be- tween his love of Cæsar and his duty to Rome . 40 ) . But ...
Seite xxv
... cause ( III . 1. 215-217 ) , so that they may at least know how they are to regard him ; and lastly , he perceives instantly ( 231 ) Brutus's fatal error in granting Antony's petition to be allowed to speak at Cæsar's funeral . At each ...
... cause ( III . 1. 215-217 ) , so that they may at least know how they are to regard him ; and lastly , he perceives instantly ( 231 ) Brutus's fatal error in granting Antony's petition to be allowed to speak at Cæsar's funeral . At each ...
Seite xxxiii
... cause the general conditions and characteristics of that age were wholly different . It is the difference between a creative and a critical age . The Elizabethan was a creative , imaginative era , the classics were a new acquisition ...
... cause the general conditions and characteristics of that age were wholly different . It is the difference between a creative and a critical age . The Elizabethan was a creative , imaginative era , the classics were a new acquisition ...
Seite 18
... cause Why all these fires , why all these gliding ghosts , Why birds and beasts from quality and kind , Why old men fool and children calculate , Why all these things change from their ordinance Their natures and pre - formed faculties ...
... cause Why all these fires , why all these gliding ghosts , Why birds and beasts from quality and kind , Why old men fool and children calculate , Why all these things change from their ordinance Their natures and pre - formed faculties ...
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1st Folio allusion Antony's Artemidorus battle bear blank verse blood Brutus and Cassius Brutus's Caius Calpurnia Capitol Casca Cassius Cato cause character Cicero Cinna Clitus conspiracy conspirators couplet crown danger dead death Decius doth Elizabethan writers enemy English Exeunt Extract fear fire friends funeral give gods Greek grief Hamlet hand hath hear heart hence Henry honour humour ides of March Julius Cæsar King Lear Lepidus Ligarius live look lord Lucilius Lucius Lupercalia Macbeth Mark Antony means Merchant of Venice Messala Metellus Cimber murder night noble North's Plutarch Octavius Paradise Lost Philippi Pindarus play plural Pompey Pompey's Portia Publius rhyme Richard Richard II Roman Rome Rostra Scene Second Citizen Senate sense Shakespeare slain Soothsayer speak speech stand Strato stress sword syllables tell Tempest thee thing Third Citizen Titinius Trebonius unto verb Volumnius word