Julius CaesarBurgess & Bowes, 1904 - 252 Seiten |
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Seite ix
... rhyming lines and 2241 lines of blank verse . This paucity of rhyme tone of Julius Cæsar belong to the period 1600-1601 of INTRODUCTION • ix-xxxiv.
... rhyming lines and 2241 lines of blank verse . This paucity of rhyme tone of Julius Cæsar belong to the period 1600-1601 of INTRODUCTION • ix-xxxiv.
Seite x
... rhyme . The number of lines with a ' double ' or ' feminine ' ending ( i.e. an extra syllable at the end ) , a characteristic of his mature work is considerable , viz . 369 . that of Essex towards his patroness Elizabeth , and to X ...
... rhyme . The number of lines with a ' double ' or ' feminine ' ending ( i.e. an extra syllable at the end ) , a characteristic of his mature work is considerable , viz . 369 . that of Essex towards his patroness Elizabeth , and to X ...
Seite 70
... rhyme ! Brutus . Get you hence , sirrah ; saucy fellow , hence ! Cassius . Bear with him , Brutus ; ' tis his fashion . Brutus . I'll know his humour , when he knows his time ; · What should the wars do with these jigging fools ...
... rhyme ! Brutus . Get you hence , sirrah ; saucy fellow , hence ! Cassius . Bear with him , Brutus ; ' tis his fashion . Brutus . I'll know his humour , when he knows his time ; · What should the wars do with these jigging fools ...
Seite 99
... rhymes with doom and groom respectively . We have the same pun , made in a feeling of similar bitterness , in King John , III . 1. 180 : " O , lawful let it be That I have room with Rome to curse awhile ! " Shakespeare makes his ...
... rhymes with doom and groom respectively . We have the same pun , made in a feeling of similar bitterness , in King John , III . 1. 180 : " O , lawful let it be That I have room with Rome to curse awhile ! " Shakespeare makes his ...
Seite 103
... rhyme , he still clung to these couplets , perhaps because , apart from the pleasure of their sound , they served to let the audience know that the scene was over . In an Elizabethan playhouse there was not any curtain to fall . Scene 3 ...
... rhyme , he still clung to these couplets , perhaps because , apart from the pleasure of their sound , they served to let the audience know that the scene was over . In an Elizabethan playhouse there was not any curtain to fall . Scene 3 ...
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1st Folio allusion Antony's Artemidorus battle bear blank verse blood Brutus and Cassius Brutus's Caius Calpurnia Capitol Casca Cassius Cato cause character Cicero Cinna Clitus conspiracy conspirators couplet crown danger dead death Decius doth Elizabethan writers enemy English Exeunt Extract fear fire friends funeral give gods Greek grief Hamlet hand hath hear heart hence Henry honour humour ides of March Julius Cæsar King Lear Lepidus Ligarius live look lord Lucilius Lucius Lupercalia Macbeth Mark Antony means Merchant of Venice Messala Metellus Cimber murder night noble North's Plutarch Octavius Paradise Lost Philippi Pindarus play plural Pompey Pompey's Portia Publius rhyme Richard Richard II Roman Rome Rostra Scene Second Citizen Senate sense Shakespeare slain Soothsayer speak speech stand Strato stress sword syllables tell Tempest thee thing Third Citizen Titinius Trebonius unto verb Volumnius word