The Miscellaneous Prose Works of Sir Walter Scott, Bart, Band 17R. Cadell, 1835 |
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Seite 15
... antique words are carefully retained and accurately interpreted , we do not think that , in a popular work , intelligibility should be sacri- ficed to the preservation of a rude and uncertain orthography . ARTICLE II . ON ELLIS'S ...
... antique words are carefully retained and accurately interpreted , we do not think that , in a popular work , intelligibility should be sacri- ficed to the preservation of a rude and uncertain orthography . ARTICLE II . ON ELLIS'S ...
Seite 31
... antique buckler , but a barber's bason , or a paltry old sconce . This is far from being the case in the present instance . The burnishing of the armour has only tended to ascertain the valuable materials of which METRICAL ROMANCE . 31.
... antique buckler , but a barber's bason , or a paltry old sconce . This is far from being the case in the present instance . The burnishing of the armour has only tended to ascertain the valuable materials of which METRICAL ROMANCE . 31.
Seite 52
... antique taste , they are perpetually confounding the past time with the present , and are guilty of anachronisms almost as gross as his who introduced a tea - table scene into the history of John of Gaunt . Neither is the language in ...
... antique taste , they are perpetually confounding the past time with the present , and are guilty of anachronisms almost as gross as his who introduced a tea - table scene into the history of John of Gaunt . Neither is the language in ...
Seite 124
... antique colouring in all of them originally consisted in the adoption of a species of orthography embarrassed with an unusual number of letters , and regularly exchaungynge the i for the y in the participle , which is , for further ...
... antique colouring in all of them originally consisted in the adoption of a species of orthography embarrassed with an unusual number of letters , and regularly exchaungynge the i for the y in the participle , which is , for further ...
Seite 163
... antique and grotesque dress , the jest of its laughter - loving people , and the dread of those who were unfortunate enough to be their patients . The consultations of these sages were conducted in a barbarous Latinity , or if they ...
... antique and grotesque dress , the jest of its laughter - loving people , and the dread of those who were unfortunate enough to be their patients . The consultations of these sages were conducted in a barbarous Latinity , or if they ...
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affectation amusement ancient antiquary antique appears Arvalan ballads bard battle of Talavera beautiful betwixt Bishop Percy bridal bed Burns called censure character Chatterton Chaucer chivalry circumstances comedy comic composition court criticism curious Edinburgh Review edition editor elegant Ellis English English poetry expression Faëry fame fancy favourable feeling folly French genius Gertrude Gertrude of Wyoming Godwin heart heaven honour Hôtel de Rambouillet humour Iceland imitation interest John of Gaunt Jotunheim Kailyal Kehama King knight labours Ladurlad lady language less Lord Louis XIV manners merit metrical romances minstrels modern Molière Molière's moral nature never original passages passion perhaps person piece pleasure poem poet poetical poetry popular possessed present Queen racter reader ridicule Ritson Rowley satire scene seems sentiments Sir Ywain songs Southey Spenser spirit stanzas style supposed talents Tartuffe taste thee thou Thrym tion verse Wyoming XVII
Beliebte Passagen
Seite 343 - STOOD in Venice, on the Bridge of Sighs; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me.
Seite 86 - Full little knowest thou, that hast not tried, What hell it is in suing long to bide ; To lose good days that might be better spent ; To waste long nights in pensive discontent; To speed to-day, to be put back to-morrow ; To feed on hope ; to pine with fear and sorrow ; To have thy Prince's grace, yet want her peers...
Seite 247 - I am as free as nature first made man, Ere the base laws of servitude began, When wild in woods the noble savage ran.
Seite 332 - Ye ! who have traced the Pilgrim to the scene Which is his last, if in your memories dwell A thought which once was his, if on ye swell...
Seite 259 - Had we never loved sae kindly, Had we never loved sae blindly, Never met, or never parted, We had ne'er been broken-hearted.
Seite 343 - Beauty still is here. States fall, arts fade — but Nature doth not die, Nor yet forget how Venice once was dear, The pleasant place of all festivity, The revel of the earth, the masque of Italy ! But unto us she hath a spell beyond Her name in story...
Seite 342 - The foe, the fool, the jealous, and the vain, The envious who but breathe in others' pain, Behold the host ! delighting to deprave, Who track the steps of Glory to the grave, Watch...
Seite 277 - Touch'd by the music, and the melting scene, Was scarce one tearless eye amidst the crowd : — Stern warriors, resting on their swords, were seen To veil their eyes, as pass'd each much-loved shroud, While woman's softer soul in woe dissolved aloud.
Seite 285 - Though my perishing ranks should be strewed in their gore, Like ocean-weeds heaped on the surf-beaten shore, Lochiel, untainted by flight or by chains, While the kindling of life in his bosom remains, Shall victor exult, or in death be laid low, With his back to the field, and his feet to the foe ! And leaving in battle no blot on his name, Look proudly to heaven from the death-bed of fame.
Seite 278 - And by my side, in battle true, A thousand warriors drew the shaft? Ah ! there, in desolation cold, The desert serpent dwells alone, Where grass o'ergrows each mouldering bone, And stones themselves to ruin grown, Like me, are death-like old.