Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 243
... Antony and Cleopatra and Timon of Athens . II Shakespeare constructed the ending of Othello in such a way that Desdemona and Othello both expire on the ter- minal note of a single heroic couplet , each concerned primarily and ...
... Antony and Cleopatra and Timon of Athens . II Shakespeare constructed the ending of Othello in such a way that Desdemona and Othello both expire on the ter- minal note of a single heroic couplet , each concerned primarily and ...
Seite 255
... Antony and Cleopatra neverthe- less represents the exotic as insidiously threatening . Exot- icism is hardly the reigning theme in the later play , but it remains an important dimension in the complex polarity defined by Rome and Egypt ...
... Antony and Cleopatra neverthe- less represents the exotic as insidiously threatening . Exot- icism is hardly the reigning theme in the later play , but it remains an important dimension in the complex polarity defined by Rome and Egypt ...
Seite 257
... Antony wins his next battle , which is on land , but loses the last confrontation by trust- ing again to water : ' Their preparation is today by sea ; / We please them not by land ' ( 4.11.1-2 ) . Throughout , the sea represents more or ...
... Antony wins his next battle , which is on land , but loses the last confrontation by trust- ing again to water : ' Their preparation is today by sea ; / We please them not by land ' ( 4.11.1-2 ) . Throughout , the sea represents more or ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York