Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 335
... Iago cries , " the devil will make a grandsire of you " ( 1.1.92 ) . Iago's purpose , to arouse Brabantio's wrath , is achieved with ver- bal images of his daughter copulating unnaturally with a bestial creature , a satanic figure of ...
... Iago cries , " the devil will make a grandsire of you " ( 1.1.92 ) . Iago's purpose , to arouse Brabantio's wrath , is achieved with ver- bal images of his daughter copulating unnaturally with a bestial creature , a satanic figure of ...
Seite 349
... Iago's " From this time forth I never will speak word " displays a grim inevitability . By all evidence , Iago has been a slyly tyr- annous husband to Emilia , as if to gain thereby a modi- cum of compensation for his sense of social ...
... Iago's " From this time forth I never will speak word " displays a grim inevitability . By all evidence , Iago has been a slyly tyr- annous husband to Emilia , as if to gain thereby a modi- cum of compensation for his sense of social ...
Seite 351
... Iago obtains Desdemona's handkerchief . As A.C. Bradley notes , the exchanges between Iago and Emilia in this episode ( the only one in which they appear on stage alone together ) bespeak a habitual rancorousness ( Shakespearean Trage ...
... Iago obtains Desdemona's handkerchief . As A.C. Bradley notes , the exchanges between Iago and Emilia in this episode ( the only one in which they appear on stage alone together ) bespeak a habitual rancorousness ( Shakespearean Trage ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York