Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 12
Seite 293
... Laertes shall be king . " Caps , hands , and tongues applaud it to the clouds , " Laertes shall be king , Laertes king . " ( IV.v.102-108 ) Although Claudius manages to avoid danger , co - opting Laertes and redirecting his anger at ...
... Laertes shall be king . " Caps , hands , and tongues applaud it to the clouds , " Laertes shall be king , Laertes king . " ( IV.v.102-108 ) Although Claudius manages to avoid danger , co - opting Laertes and redirecting his anger at ...
Seite 295
... Laertes will be , but a public figure whose very existence poses a chal- lenge to Claudius's kingship . " Hamlet , Prince of Den- mark , " as he is called on all the early title pages , " calls himself " Hamlet the Dane " when he jumps ...
... Laertes will be , but a public figure whose very existence poses a chal- lenge to Claudius's kingship . " Hamlet , Prince of Den- mark , " as he is called on all the early title pages , " calls himself " Hamlet the Dane " when he jumps ...
Seite 299
... Laertes's followers with Fortinbras's , as Harold Jenkins does . Noting that as the play proceeds Fortinbras is seen leading not a group of " lawless reso- lutes " but a well - disciplined army , Jenkins concludes that the " lawless ...
... Laertes's followers with Fortinbras's , as Harold Jenkins does . Noting that as the play proceeds Fortinbras is seen leading not a group of " lawless reso- lutes " but a well - disciplined army , Jenkins concludes that the " lawless ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York