Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 22
Seite 339
... Macbeth's opening line— ' So foul and fair a day I have not seen ' ( 1.3.36 ) , what- ever its particular referents may be1 - is singularly impor- tant to Macbeth's character , echoing as it does the enig- matic and ominous chant of the ...
... Macbeth's opening line— ' So foul and fair a day I have not seen ' ( 1.3.36 ) , what- ever its particular referents may be1 - is singularly impor- tant to Macbeth's character , echoing as it does the enig- matic and ominous chant of the ...
Seite 340
... Macbeth's response to the word is ter- minated by Lady Macbeth's use of it in Scene 5 , a scant 73 lines further on ( 1.5.54 ) . This trio of uses - three times in three consecutive scenes within 217 lines - offers a set of references ...
... Macbeth's response to the word is ter- minated by Lady Macbeth's use of it in Scene 5 , a scant 73 lines further on ( 1.5.54 ) . This trio of uses - three times in three consecutive scenes within 217 lines - offers a set of references ...
Seite 343
... Macbeth did not , the Witches ' evil intent ' ( p . 91 ) ; the recognition may have come sooner . 20 Rosenberg , p ... Macbeth echoes the metaphor in line 132 , the same image suggests a covering over of hypocrisy and deceit ...
... Macbeth did not , the Witches ' evil intent ' ( p . 91 ) ; the recognition may have come sooner . 20 Rosenberg , p ... Macbeth echoes the metaphor in line 132 , the same image suggests a covering over of hypocrisy and deceit ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
25 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York