Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 250
... Merchant of Venice . Antonio sees his plight as due in part to a shameful failure to distin- guish between the judicial privileges of Venetian and ' stranger ' , Christian and ' Infidel ' : The Duke cannot deny the course of law , For ...
... Merchant of Venice . Antonio sees his plight as due in part to a shameful failure to distin- guish between the judicial privileges of Venetian and ' stranger ' , Christian and ' Infidel ' : The Duke cannot deny the course of law , For ...
Seite 264
... Venice begins to look more and more like Shylock's . The polemical oppo- sition between Christian oikonomia and ... Merchant of Venice bespeaks a nagging suspicion that the contradictions which were supposed to be reconciled in the ...
... Venice begins to look more and more like Shylock's . The polemical oppo- sition between Christian oikonomia and ... Merchant of Venice bespeaks a nagging suspicion that the contradictions which were supposed to be reconciled in the ...
Seite 301
... Merchant of Venice , As You Like It , and Hamlet , and there is a curious give and take be- tween these plays , the Leir play , and King Lear . ' Consid- er the following features that are not found in the old Leir play and may be said ...
... Merchant of Venice , As You Like It , and Hamlet , and there is a curious give and take be- tween these plays , the Leir play , and King Lear . ' Consid- er the following features that are not found in the old Leir play and may be said ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York