Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 122
... Queen , into private factions , unlawful bonds , & c . " 10 This injunction may have prevented the publication of manuscripts like that of the Lincolnshire rector Henry Hooke , who in 1601 or 1602 wrote of his desire " that what ...
... Queen , into private factions , unlawful bonds , & c . " 10 This injunction may have prevented the publication of manuscripts like that of the Lincolnshire rector Henry Hooke , who in 1601 or 1602 wrote of his desire " that what ...
Seite 314
... queen's holiday face , but it would be a mistake to conclude from this that Elizabeth's erotic dis- plays and painted selves were either inconsequential or mere vanity , given all that was at stake in the sovereign aura . They were ...
... queen's holiday face , but it would be a mistake to conclude from this that Elizabeth's erotic dis- plays and painted selves were either inconsequential or mere vanity , given all that was at stake in the sovereign aura . They were ...
Seite 315
... queen ( 1. 157 ) which indeed occupies the core of Hamlet's being and " denote [ s him ] truly , " as a generalized sign of the bestial inconstancy of all womankind . Like son , like father : at the first mention of his " seeming ...
... queen ( 1. 157 ) which indeed occupies the core of Hamlet's being and " denote [ s him ] truly , " as a generalized sign of the bestial inconstancy of all womankind . Like son , like father : at the first mention of his " seeming ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York