Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 134
... Richard II use the word " trag- edy " on the title - pages , the First Folio prefers the more noncommittal " Life and Death of Richard II . " This may have no particular significance , but it is evidently not just a matter of conformity ...
... Richard II use the word " trag- edy " on the title - pages , the First Folio prefers the more noncommittal " Life and Death of Richard II . " This may have no particular significance , but it is evidently not just a matter of conformity ...
Seite 143
... Richard II takes an unflattering view of kingship and kings , of royal pretensions and roy- al ambitions not a particularly hostile view nor a tragic one , but a realistic one that recognizes that kingship has little to do with divinity ...
... Richard II takes an unflattering view of kingship and kings , of royal pretensions and roy- al ambitions not a particularly hostile view nor a tragic one , but a realistic one that recognizes that kingship has little to do with divinity ...
Seite 144
... Richard II , " in Shakespeare as Political Thinker , ed . John Alvis and Thomas G. West ( Durham , N.C. , 1981 ) , p . 77 . 23 Robert Ornstein , A Kingdom for a Stage ( Cambridge , Mass . , 1972 ) , p . 121 . 24 Winny , Player King , p ...
... Richard II , " in Shakespeare as Political Thinker , ed . John Alvis and Thomas G. West ( Durham , N.C. , 1981 ) , p . 77 . 23 Robert Ornstein , A Kingdom for a Stage ( Cambridge , Mass . , 1972 ) , p . 121 . 24 Winny , Player King , p ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York