Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 74
... royal officials famous- ly cast the possessions of one treacherous Knight of ... Shakespeare discredits Shallow's effort to re- solve this dual alliance to ... co- arctedly , joyfullie not grudgingly , to be for ever at your ...
... royal officials famous- ly cast the possessions of one treacherous Knight of ... Shakespeare discredits Shallow's effort to re- solve this dual alliance to ... co- arctedly , joyfullie not grudgingly , to be for ever at your ...
Seite 116
... royal court " ( 4.4.48-52 ) . In addition to distinguishing the ( victimized ) ... Shakespeare appears to have chosen not to stage at any length the bloody ... society that presumably remained both stable and reliable in the face ...
... royal court " ( 4.4.48-52 ) . In addition to distinguishing the ( victimized ) ... Shakespeare appears to have chosen not to stage at any length the bloody ... society that presumably remained both stable and reliable in the face ...
Seite 156
... Royal Shakespeare Com- pany's Production of Henry V for the Centenary Season at The Royal Shakespeare Theatre , ed . Sally Beauman ( Oxford : Pergamon Press , 1976 ) , 25 . 30 After the traitors are captured Henry further mitigates the ...
... Royal Shakespeare Com- pany's Production of Henry V for the Centenary Season at The Royal Shakespeare Theatre , ed . Sally Beauman ( Oxford : Pergamon Press , 1976 ) , 25 . 30 After the traitors are captured Henry further mitigates the ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York