Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 250
... classical hubris . Explorers like Columbus , Shakes- peare's voyagers are also like Lucan's Caesar or Seneca's Tiphys : boundary - violators by whose means the outside chaotically intrudes . If the voyager approaches the exotic via a ...
... classical hubris . Explorers like Columbus , Shakes- peare's voyagers are also like Lucan's Caesar or Seneca's Tiphys : boundary - violators by whose means the outside chaotically intrudes . If the voyager approaches the exotic via a ...
Seite 265
... classical past ( Seneca in particu- lar ) as if by a repressed unconscious . Repression and displacement certainly mark Shakespeare's handling of the Jason myth in The Merchant of Venice . Bassanio's initial identification with Jason ...
... classical past ( Seneca in particu- lar ) as if by a repressed unconscious . Repression and displacement certainly mark Shakespeare's handling of the Jason myth in The Merchant of Venice . Bassanio's initial identification with Jason ...
Seite 289
... classical and Christian elements in Hamlet " is ultimately incapable of resolution ( Hamlet , p . 63 ) . Yet what we call Christianity is itself in some measure an accommodation with classical culture . Earlier , Cantor notes in the ...
... classical and Christian elements in Hamlet " is ultimately incapable of resolution ( Hamlet , p . 63 ) . Yet what we call Christianity is itself in some measure an accommodation with classical culture . Earlier , Cantor notes in the ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York