Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 63
... comic energy , launched into a cel- ebration of the skills of its author . At a pause in this chorus of praise , one suddenly asked the other , " When did Shakespeare live ? " Her friend replied , " In the fourteenth century , I think ...
... comic energy , launched into a cel- ebration of the skills of its author . At a pause in this chorus of praise , one suddenly asked the other , " When did Shakespeare live ? " Her friend replied , " In the fourteenth century , I think ...
Seite 66
... comic experience that involves our superiority as audience . This is a kind of participatory comedy in which we share the characters ' elation.4 Much Ado About Nothing affords comic pleasures different from those available in The ...
... comic experience that involves our superiority as audience . This is a kind of participatory comedy in which we share the characters ' elation.4 Much Ado About Nothing affords comic pleasures different from those available in The ...
Seite 67
... comic events subsumed to the requirements of the play's major action , but generating an energy that makes them almost independent episodes . I want to focus on just one instance of plotting of this kind . It is , like Jonson's comic ...
... comic events subsumed to the requirements of the play's major action , but generating an energy that makes them almost independent episodes . I want to focus on just one instance of plotting of this kind . It is , like Jonson's comic ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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