Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 27
... common , " for instance , carried considerable ideolog- ical force and " stood for customary practices and ' rights ' that were clearly perceived as such at the time of , and because of , their rescinding . " 25 Throughout the era ...
... common , " for instance , carried considerable ideolog- ical force and " stood for customary practices and ' rights ' that were clearly perceived as such at the time of , and because of , their rescinding . " 25 Throughout the era ...
Seite 118
... common father of common men , who , as in the passage from Breton , can do " all without book . " III As others have noted , one may trace the communistic dream in 2 Henry VI to a common ideological source which helped define a ...
... common father of common men , who , as in the passage from Breton , can do " all without book . " III As others have noted , one may trace the communistic dream in 2 Henry VI to a common ideological source which helped define a ...
Seite 212
... common soldiers returned . Moreover , overseas service without order of Parliament violated the ancient legal rights of Englishmen to boot , and such op- pression of common people through recruiting was , Smythe said , treasonous ...
... common soldiers returned . Moreover , overseas service without order of Parliament violated the ancient legal rights of Englishmen to boot , and such op- pression of common people through recruiting was , Smythe said , treasonous ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York