Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 72
... courts for seditious speech were generally more direct than Falstaff in their attacks against the crown . For example , a 1592 Essex assize court sentenced Ralph Duckworth , a laborer , to be pilloried for his seditious public complaint ...
... courts for seditious speech were generally more direct than Falstaff in their attacks against the crown . For example , a 1592 Essex assize court sentenced Ralph Duckworth , a laborer , to be pilloried for his seditious public complaint ...
Seite 186
... court's ominous character , as when Anne , confronted with the King's generosity , involuntarily anticipates her tragic future as queen : “ it faints me To think what follows ' ( II.iii . 104-5 ) . One of the reasons that the script so ...
... court's ominous character , as when Anne , confronted with the King's generosity , involuntarily anticipates her tragic future as queen : “ it faints me To think what follows ' ( II.iii . 104-5 ) . One of the reasons that the script so ...
Seite 295
... court scene to forego his mourn- ing and accept Claudius's clumsy and disingenuous ef- forts at reconciliation merely complicates a situation that would exist regardless : Hamlet is not only a potential private avenger of a murdered ...
... court scene to forego his mourn- ing and accept Claudius's clumsy and disingenuous ef- forts at reconciliation merely complicates a situation that would exist regardless : Hamlet is not only a potential private avenger of a murdered ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York