Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite ix
... critical reaction of scholars and commentators from the seventeenth century to the present day , derives from the hundreds of periodicals and books excerpted for the series . Students and teachers at all levels of study will benefit ...
... critical reaction of scholars and commentators from the seventeenth century to the present day , derives from the hundreds of periodicals and books excerpted for the series . Students and teachers at all levels of study will benefit ...
Seite 188
... critical practice that would conjoin substantial portions of text with its own critical countertext in a dense encounter modeled on close reading but extending its purview to the noncanon- ical might offer an alternative to practices ...
... critical practice that would conjoin substantial portions of text with its own critical countertext in a dense encounter modeled on close reading but extending its purview to the noncanon- ical might offer an alternative to practices ...
Seite 189
... critical practice might also further disclose- in the silences and indirections of our own struggles with the alien utterance of which we write the openings and foreclosures we would not or could not name as our own , no matter how ...
... critical practice might also further disclose- in the silences and indirections of our own struggles with the alien utterance of which we write the openings and foreclosures we would not or could not name as our own , no matter how ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York