Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 41
... desires . Yet desire is presented as potentially transgressive throughout , and in the first half of the play , Helena's desire and her pursuit of her own ends is experienced as even more disruptive . In conversation with Parolles ...
... desires . Yet desire is presented as potentially transgressive throughout , and in the first half of the play , Helena's desire and her pursuit of her own ends is experienced as even more disruptive . In conversation with Parolles ...
Seite 42
... desire threatens to become a matter of public concern . But while the ending reintegrates Bertram formally if not unreservedly into the community through marriage , it leaves unresolved the troubling question of his desire , never ...
... desire threatens to become a matter of public concern . But while the ending reintegrates Bertram formally if not unreservedly into the community through marriage , it leaves unresolved the troubling question of his desire , never ...
Seite 43
... desire is much more threatening in Mea- sure for Measure than it had been in All's Well , where Bertram's attempts at sexual conquest are roundly con- demned by everyone , even Parolles . Vienna's suburbs seethe with pimps , prostitutes ...
... desire is much more threatening in Mea- sure for Measure than it had been in All's Well , where Bertram's attempts at sexual conquest are roundly con- demned by everyone , even Parolles . Vienna's suburbs seethe with pimps , prostitutes ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York