Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite ix
... essays , reprinted in their entirety , are chosen to address a wide audience , including advanced secondary ... essay or excerpt that offers innovative or ample commentary on that topic . Citing from the SC Yearbook Students who ...
... essays , reprinted in their entirety , are chosen to address a wide audience , including advanced secondary ... essay or excerpt that offers innovative or ample commentary on that topic . Citing from the SC Yearbook Students who ...
Seite 130
... essay " Are We Being Historical Yet ? " ( South Atlantic Quarterly 87 [ 1988 ] : 743-86 ) is typical in its treatment of " Invisible Bullets " as paradigmatic of New Historicist theories of hegemonic political and literary forces ; see ...
... essay " Are We Being Historical Yet ? " ( South Atlantic Quarterly 87 [ 1988 ] : 743-86 ) is typical in its treatment of " Invisible Bullets " as paradigmatic of New Historicist theories of hegemonic political and literary forces ; see ...
Seite 322
... essay " Why should he call her whore ? ' : Deformation and Desdemona's Case " in Addressing Frank Kermode : Essays in Criticism and Interpretation , Marga- ret Trudeau - Clayton and Martin Warner , eds . ( Urbana and Chicago , 1991 ) ...
... essay " Why should he call her whore ? ' : Deformation and Desdemona's Case " in Addressing Frank Kermode : Essays in Criticism and Interpretation , Marga- ret Trudeau - Clayton and Martin Warner , eds . ( Urbana and Chicago , 1991 ) ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York