Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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... fact that he is mimicking the rant he has picked up in the theatre , does not alter the more overriding fact that most of his dialogue remains ' relentlessly iambic ' . We can refuse to call it ' poetry ' if we so decide , but there ...
... fact that he is mimicking the rant he has picked up in the theatre , does not alter the more overriding fact that most of his dialogue remains ' relentlessly iambic ' . We can refuse to call it ' poetry ' if we so decide , but there ...
Seite 322
... fact the likely author . For a survey of the issue , see the introduction to Thomas Middleton , The Revenger's Tragedy : A Facsimile of the 1607/8 Quarto , ed . MacD . P. Jackson ( Rutherford , NJ , 1983 ) . 23 De Maisse , 82 . 24 I ...
... fact the likely author . For a survey of the issue , see the introduction to Thomas Middleton , The Revenger's Tragedy : A Facsimile of the 1607/8 Quarto , ed . MacD . P. Jackson ( Rutherford , NJ , 1983 ) . 23 De Maisse , 82 . 24 I ...
Seite 330
... fact of the play , and to some commentators , the spectacle of the pale - skinned woman caught in Othello's black arms has indeed seemed monstrous.1 Yet that spec- tacle is a major source of Othello's emotional power . From ...
... fact of the play , and to some commentators , the spectacle of the pale - skinned woman caught in Othello's black arms has indeed seemed monstrous.1 Yet that spec- tacle is a major source of Othello's emotional power . From ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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