Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 129
... follow Henry's Salic - law model and purge the feminine from themselves , and from their country . Nostalgia for patrilineage revives patriar- chy out of its " grave of oblivion " : Shakespeare's history declares the degenerate ...
... follow Henry's Salic - law model and purge the feminine from themselves , and from their country . Nostalgia for patrilineage revives patriar- chy out of its " grave of oblivion " : Shakespeare's history declares the degenerate ...
Seite 287
... Follow my mother " : go to my moth- er's bed , uncle . As we follow this poisonous jest's lines of filiation back through the play , leading us to the sourc- es of Hamlet's anguish , we realize that this is exactly what he would say ...
... Follow my mother " : go to my moth- er's bed , uncle . As we follow this poisonous jest's lines of filiation back through the play , leading us to the sourc- es of Hamlet's anguish , we realize that this is exactly what he would say ...
Seite 309
... follow thee " is indebted to the Latin " I prae , sequar . " Because the occasion for saying this sort of thing arises easily in separate circumstances , it is pedantry to link two such common phrases . Johnson's general point is well ...
... follow thee " is indebted to the Latin " I prae , sequar . " Because the occasion for saying this sort of thing arises easily in separate circumstances , it is pedantry to link two such common phrases . Johnson's general point is well ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York