Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 77
... hath wrong'd me , Master Page . Page : Sir , he doth in some sort confess it . Shallow : If it be confess'd , it is not redress'd . Is not that so , Master Page ? He hath wrong'd me , indeed he hath , at a word he hath . Believe me ...
... hath wrong'd me , Master Page . Page : Sir , he doth in some sort confess it . Shallow : If it be confess'd , it is not redress'd . Is not that so , Master Page ? He hath wrong'd me , indeed he hath , at a word he hath . Believe me ...
Seite 168
... hath the green - sickness for want of occupying . She is very fair of visage , and hath a smooth skin of tender grass . . . . Her flesh is of a soft and delicate mould of earth , and her blue veins trailing through every part of her ...
... hath the green - sickness for want of occupying . She is very fair of visage , and hath a smooth skin of tender grass . . . . Her flesh is of a soft and delicate mould of earth , and her blue veins trailing through every part of her ...
Seite 412
... hath play'd the painter and hath stell❜d Thy beauty's form in table of my heart ; My body is the frame wherein ' tis held , And perspective it is best painter's art . For through the painter must you see his skill , To find where your ...
... hath play'd the painter and hath stell❜d Thy beauty's form in table of my heart ; My body is the frame wherein ' tis held , And perspective it is best painter's art . For through the painter must you see his skill , To find where your ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York