Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 92
... lack of unanimity will reveal itself among self- professed liberals and conservatives , well - to - do students and ... lacking in Act 2 , the quick- ness with which Isabella relinquishes her initial threat suggests the existence of an ...
... lack of unanimity will reveal itself among self- professed liberals and conservatives , well - to - do students and ... lacking in Act 2 , the quick- ness with which Isabella relinquishes her initial threat suggests the existence of an ...
Seite 93
... lack of self - knowledge of Angelo and Isabella . So also with the motif of the circular journey , which in Measure for Measure reduces to an echo of its former self . In this play of locked and enclosed settings , nature itself comes ...
... lack of self - knowledge of Angelo and Isabella . So also with the motif of the circular journey , which in Measure for Measure reduces to an echo of its former self . In this play of locked and enclosed settings , nature itself comes ...
Seite 398
... lack of coordination at every other level of the play . My main argument is that the hidden mechanism for this lack of unity is to be found in the play's use of language . It is also in Cymbeline's language , unsuitable for either trag ...
... lack of coordination at every other level of the play . My main argument is that the hidden mechanism for this lack of unity is to be found in the play's use of language . It is also in Cymbeline's language , unsuitable for either trag ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York