Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 186
... Lady continues to delight modern audiences with her sardonic insight into Anne's veiled ambition , as she did , too in eighteenth - century pro- ductions . We were fortunate in casting an experienced and mature actress in the role . She ...
... Lady continues to delight modern audiences with her sardonic insight into Anne's veiled ambition , as she did , too in eighteenth - century pro- ductions . We were fortunate in casting an experienced and mature actress in the role . She ...
Seite 339
... Lady Macbeth reads and re- acts to her husband's letter . ' That letter brings her the sense and the spirit of the encounter with the Witches and gives Lady Macbeth some seven words of their vocabu- lary five that she repeats ...
... Lady Macbeth reads and re- acts to her husband's letter . ' That letter brings her the sense and the spirit of the encounter with the Witches and gives Lady Macbeth some seven words of their vocabu- lary five that she repeats ...
Seite 340
... Lady Macbeth's way , being the final and dominant one . To ensure the ' promised ' hereafter , Lady Macbeth will ' feel now / The future in the instant ' ( 1.5.56-7 ) . The relation- ship that the two Macbeths have to time , one ...
... Lady Macbeth's way , being the final and dominant one . To ensure the ' promised ' hereafter , Lady Macbeth will ' feel now / The future in the instant ' ( 1.5.56-7 ) . The relation- ship that the two Macbeths have to time , one ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York