Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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... language of love as a male , soldier- ly language , in which he need relinquish none of his armor and none of his aggression . Even in his attempts to " woo " the French princess , and under pretense of loverlike sur- render , he ...
... language of love as a male , soldier- ly language , in which he need relinquish none of his armor and none of his aggression . Even in his attempts to " woo " the French princess , and under pretense of loverlike sur- render , he ...
Seite 164
... language and national identity Benedict Anderson is no doubt right to insist that lan- guage has rarely ( if ever ) been accepted as a sufficient defining condition of nationality ; but its exceptional ca- pacity for mobilizing the ...
... language and national identity Benedict Anderson is no doubt right to insist that lan- guage has rarely ( if ever ) been accepted as a sufficient defining condition of nationality ; but its exceptional ca- pacity for mobilizing the ...
Seite 398
... language . It is also in Cymbeline's language , unsuitable for either trag- edy or comedy , that one must seek an explanation of its genre . Some basic tenets of Speech Act theory will be invaluable in this analysis , although the essay ...
... language . It is also in Cymbeline's language , unsuitable for either trag- edy or comedy , that one must seek an explanation of its genre . Some basic tenets of Speech Act theory will be invaluable in this analysis , although the essay ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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