Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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... lead these graces to the grave And leave the world no copy . ( 1.5.230-2 ) Or when , at the end of the same scene , Olivia gives in to something beyond her own power to resist : Fate , show thy force . Our selves we do not owe . What is ...
... lead these graces to the grave And leave the world no copy . ( 1.5.230-2 ) Or when , at the end of the same scene , Olivia gives in to something beyond her own power to resist : Fate , show thy force . Our selves we do not owe . What is ...
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... lead him to my bower . The moon methinks looks with a wat'ry eye ; And when she weeps , weeps every little flower , Lamenting some enforced [ violated ] chastity . ( III.1.197-200 ) cf. So doth the woodbine the sweet honeysuckle Gently ...
... lead him to my bower . The moon methinks looks with a wat'ry eye ; And when she weeps , weeps every little flower , Lamenting some enforced [ violated ] chastity . ( III.1.197-200 ) cf. So doth the woodbine the sweet honeysuckle Gently ...
Seite 211
... lead the commons with a sense of its best interests rather than stir up the com- mons to rebellion for personal gain as Oldcastle suppos- edly did . Such a reading would unite rather than divide playgoers by social rank , in an ...
... lead the commons with a sense of its best interests rather than stir up the com- mons to rebellion for personal gain as Oldcastle suppos- edly did . Such a reading would unite rather than divide playgoers by social rank , in an ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York