Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 58
... light but moral art . The clever courtiers , with Don Pedro at their head , have descended on Leonato's provincial family , and have done these simpler if still socially aspiring people some harm . Now the tables are pleasingly turned ...
... light but moral art . The clever courtiers , with Don Pedro at their head , have descended on Leonato's provincial family , and have done these simpler if still socially aspiring people some harm . Now the tables are pleasingly turned ...
Seite 59
... light definition of human void is a striking one , peculiarly apt in the theatrical world which has pro- duced it , where revels are always ' now . . . ended ' . He evokes it in a context congenital to Shakespearean com- edy , that of ...
... light definition of human void is a striking one , peculiarly apt in the theatrical world which has pro- duced it , where revels are always ' now . . . ended ' . He evokes it in a context congenital to Shakespearean com- edy , that of ...
Seite 170
... light.93 As a performance of national incorporation , Jonson's masque leaves a little to be desired ; and the element of wish - fulfillment in his fantasy of effortless royal power is especially difficult to ignore in the light of the ...
... light.93 As a performance of national incorporation , Jonson's masque leaves a little to be desired ; and the element of wish - fulfillment in his fantasy of effortless royal power is especially difficult to ignore in the light of the ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York