Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 237
... opening and closing distin- guish Hamlet's exploration of secrecy ; a similarly em- phatic set of metaphors locates itself in disease and ill- ness . ' Here is your husband , like a mildew'd ear / Blast- ing his wholesome brother ...
... opening and closing distin- guish Hamlet's exploration of secrecy ; a similarly em- phatic set of metaphors locates itself in disease and ill- ness . ' Here is your husband , like a mildew'd ear / Blast- ing his wholesome brother ...
Seite 269
... opening of Act 2 Scene 2 , and Ferdinand entering ' bear- ing a log ' at the opening of the very next scene , Act 3 Scene 1. Both are treated as slaves , the generic occupation of the outcast and naturally degenerate . The mythology of ...
... opening of Act 2 Scene 2 , and Ferdinand entering ' bear- ing a log ' at the opening of the very next scene , Act 3 Scene 1. Both are treated as slaves , the generic occupation of the outcast and naturally degenerate . The mythology of ...
Seite 305
... opening lines of the play followed by Claudius ' opening speech : Leir . Thus to our griefe the obsequies performd Of our ( too late ) deceast and dearest Queen , Whose soule I hope , possest of heavenly joyes , Doth ride in triumph ...
... opening lines of the play followed by Claudius ' opening speech : Leir . Thus to our griefe the obsequies performd Of our ( too late ) deceast and dearest Queen , Whose soule I hope , possest of heavenly joyes , Doth ride in triumph ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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Häufige Begriffe und Wortgruppen
action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York