Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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... play , the site / sight where the play produces its theatrical tour de force by offering up a prostrated woman's body to the eye - and the boot - of the stunned viewer . But whereas the play's stage history of repeated revisions clearly ...
... play , the site / sight where the play produces its theatrical tour de force by offering up a prostrated woman's body to the eye - and the boot - of the stunned viewer . But whereas the play's stage history of repeated revisions clearly ...
Seite 146
... play's history into delight may not be so easily accomplished , history com- prising as it does , in Annabel Patterson's words , " both [ the play's ] content and its context . " " The impulse , how- ever , testifies to that history's ...
... play's history into delight may not be so easily accomplished , history com- prising as it does , in Annabel Patterson's words , " both [ the play's ] content and its context . " " The impulse , how- ever , testifies to that history's ...
Seite 418
... play's only fully realized human character . I don't mean by this that , as some have maintained , the entire play takes place in Prospero's mind ; but it does seem to me that one of the major theatrical problems of the play lies in ...
... play's only fully realized human character . I don't mean by this that , as some have maintained , the entire play takes place in Prospero's mind ; but it does seem to me that one of the major theatrical problems of the play lies in ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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