Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 97
... reason for desiring death , this speech exhibits Ange- lo's retrogressive stance relative to the sort of moral ed ... reasons for question- ing the hopefulness of Mariana's " So may my husband . " Far from " a little bad ...
... reason for desiring death , this speech exhibits Ange- lo's retrogressive stance relative to the sort of moral ed ... reasons for question- ing the hopefulness of Mariana's " So may my husband . " Far from " a little bad ...
Seite 273
... reason Caliban so infuriates Prospero is that he is constantly able to expose the embar- rassing truth that there is no social basis for their relation- ship ; that Prospero's rule has no authority beyond force . Slavery is no ...
... reason Caliban so infuriates Prospero is that he is constantly able to expose the embar- rassing truth that there is no social basis for their relation- ship ; that Prospero's rule has no authority beyond force . Slavery is no ...
Seite 376
... reason to believe that Shakespeare was drawn to this earlier Elizabethan's story . Perhaps the strongest link between Cymbeline and Pet- tie's story is that in both works we have very similar reasons for the departure of the husband ...
... reason to believe that Shakespeare was drawn to this earlier Elizabethan's story . Perhaps the strongest link between Cymbeline and Pet- tie's story is that in both works we have very similar reasons for the departure of the husband ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York