Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 35
... side to social policy . ” Ian W. Archer , The Pursuit of Stability : Social Relations in Elizabethan London , Cambridge Studies in Early Mod- ern British History ( Cambridge : Cambridge University Press , 1991 ) , p . 15 . 8 The wide ...
... side to social policy . ” Ian W. Archer , The Pursuit of Stability : Social Relations in Elizabethan London , Cambridge Studies in Early Mod- ern British History ( Cambridge : Cambridge University Press , 1991 ) , p . 15 . 8 The wide ...
Seite 182
... side to side ' in Tennyson's ' The Lady of Shalott ' . There is no certainty that Richard has smashed the right mirror , the one that could tell him the truth or the one that has fed him with falsehood . There is no doubt that it makes ...
... side to side ' in Tennyson's ' The Lady of Shalott ' . There is no certainty that Richard has smashed the right mirror , the one that could tell him the truth or the one that has fed him with falsehood . There is no doubt that it makes ...
Seite 228
... side " ( i.e. , " win his game " ) while both live , one with a viperous husband ( 5. 1. 61 ) .30 But it is only ... sides . As Cornwall went after Gloucester's second eye , a mes- 228 Emily C. Bartels SC Yearbook 1994 , Vol . 28.
... side " ( i.e. , " win his game " ) while both live , one with a viperous husband ( 5. 1. 61 ) .30 But it is only ... sides . As Cornwall went after Gloucester's second eye , a mes- 228 Emily C. Bartels SC Yearbook 1994 , Vol . 28.
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York