Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 110
... stage - centered reading , and that it is fully accessible only to the literary model of stage - cen- tered reading , which provides an interpretive standpoint outside the direct or indirect influence of the stage . Notes A. R. ...
... stage - centered reading , and that it is fully accessible only to the literary model of stage - cen- tered reading , which provides an interpretive standpoint outside the direct or indirect influence of the stage . Notes A. R. ...
Seite 184
... stage blending of unpretentious naturalism of style ( as in the crowd scene before the christening in Henry VIII , V.iii . 1- 90 ) unexpectedly combined with exploitation of the new scenic effects which Inigo Jones had recently imported ...
... stage blending of unpretentious naturalism of style ( as in the crowd scene before the christening in Henry VIII , V.iii . 1- 90 ) unexpectedly combined with exploitation of the new scenic effects which Inigo Jones had recently imported ...
Seite 312
... stage . It has often been remarked that the resurgent political misogyny of Elizabeth's court in the 1590s coincided with a dramatic increase , as it were , of misogyny onstage ; in the years after her death , as recent studies have ...
... stage . It has often been remarked that the resurgent political misogyny of Elizabeth's court in the 1590s coincided with a dramatic increase , as it were , of misogyny onstage ; in the years after her death , as recent studies have ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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