Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 186
... tion of a whole society through the interaction of multiple minor characters at every level . Henry cannot act as a private person without costly public exposure to com- ment , which the divorce trial elicits from the court and the ...
... tion of a whole society through the interaction of multiple minor characters at every level . Henry cannot act as a private person without costly public exposure to com- ment , which the divorce trial elicits from the court and the ...
Seite 191
... tion interfering with another , as Tillyard's grand scheme of Tudor historiographic narrative meets Coke's local sense of the question of the Elizabethan succession . But further analysis of Hayward's utterance as utterance reveals how ...
... tion interfering with another , as Tillyard's grand scheme of Tudor historiographic narrative meets Coke's local sense of the question of the Elizabethan succession . But further analysis of Hayward's utterance as utterance reveals how ...
Seite 418
... tion , and it was perhaps in response to the shadowiness of their textual characterization that Mendes , in the produc- tion I have referred to , caused each of them to step for- ward from behind a screen as he did so , helping to fix ...
... tion , and it was perhaps in response to the shadowiness of their textual characterization that Mendes , in the produc- tion I have referred to , caused each of them to step for- ward from behind a screen as he did so , helping to fix ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York