Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 10
... turn appropriately to rhymed verse , which means that for contrast the court must ( or in any case does ) turn to prose . Verse , we quickly discover , can be made to sound quite as absurd as the most clownish prose . Nothing intrinsic ...
... turn appropriately to rhymed verse , which means that for contrast the court must ( or in any case does ) turn to prose . Verse , we quickly discover , can be made to sound quite as absurd as the most clownish prose . Nothing intrinsic ...
Seite 64
... turn by the love - struck knight . I want to emphasize the closeness of preparation and performance here , the way that Shakespeare no sooner gives us the " character " of Armado than he delivers the character itself , acting out the ...
... turn by the love - struck knight . I want to emphasize the closeness of preparation and performance here , the way that Shakespeare no sooner gives us the " character " of Armado than he delivers the character itself , acting out the ...
Seite 67
... turn the age to gold . ( 1.4.18-29 ) Having enjoyed this preview of the character , we are primed for Mammon's imaginative and linguistic excess- es as he enters with Surly : " Come on , sir . Now you set your foot on shore / In novo ...
... turn the age to gold . ( 1.4.18-29 ) Having enjoyed this preview of the character , we are primed for Mammon's imaginative and linguistic excess- es as he enters with Surly : " Come on , sir . Now you set your foot on shore / In novo ...
Inhalt
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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