Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 188
... utterance can be put together without value judgment , " Voloshinov writes . " Every utterance is above all an evaluative orientation . Therefore , each element in a living utterance not only has a meaning but also a val- ue . " In fact ...
... utterance can be put together without value judgment , " Voloshinov writes . " Every utterance is above all an evaluative orientation . Therefore , each element in a living utterance not only has a meaning but also a val- ue . " In fact ...
Seite 190
... utterance , if scrutinized sufficiently , does become prob- lematic , like the dots in a newspaper photograph . " 16 But the differing treatment accorded by the Folio to Ri- chard's utterance and that of the Duchess does not sug- gest ...
... utterance , if scrutinized sufficiently , does become prob- lematic , like the dots in a newspaper photograph . " 16 But the differing treatment accorded by the Folio to Ri- chard's utterance and that of the Duchess does not sug- gest ...
Seite 191
... utterance as utterance reveals how one discourse may articulate itself in the terms of another . Edward III is called " noble " and " victorious " in the open- ing sentence of a work that instances the fortunate depos- ing of his father ...
... utterance as utterance reveals how one discourse may articulate itself in the terms of another . Edward III is called " noble " and " victorious " in the open- ing sentence of a work that instances the fortunate depos- ing of his father ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
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action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York