Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 54
Seite 366
... young men or , ( 2 ) Boswell's - the Sonnets are not about Shakespeare or anything else , especially not about Shakespeare as a lover of young men . Though these approaches are antithetical and mutually exclusive , it must be stressed ...
... young men or , ( 2 ) Boswell's - the Sonnets are not about Shakespeare or anything else , especially not about Shakespeare as a lover of young men . Though these approaches are antithetical and mutually exclusive , it must be stressed ...
Seite 368
... young men . As has long been noted , these sonnets derive from Erasmus ' ' Epistle to persuade a young gen- tleman to marriage ' , Englished in Thomas Wilson's wide- ly influential 1553 The Arte of Rhetorique.47 The treatise was used in ...
... young men . As has long been noted , these sonnets derive from Erasmus ' ' Epistle to persuade a young gen- tleman to marriage ' , Englished in Thomas Wilson's wide- ly influential 1553 The Arte of Rhetorique.47 The treatise was used in ...
Seite 381
... Young Man's patronage or admiration just as he must compete for the Young Man's love with his own mistress . In each case he seems to give up the fight , but only to preserve the relationship he cherishes most . So far Shakespeare's ...
... Young Man's patronage or admiration just as he must compete for the Young Man's love with his own mistress . In each case he seems to give up the fight , but only to preserve the relationship he cherishes most . So far Shakespeare's ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
31 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
action Adonis Antonio appears audience become Cade Caliban Cambridge character Claudius comedy comic context court Coventry scene critical cultural Cymbeline death Desdemona desire discourse dramatic early modern edition Elizabeth Elizabethan England English essay Essex Falstaff father female festive gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello peare peare's performance Petrarch play's plot poems political popular Procris prose Prospero Queen Renaissance rhetoric Richard Richard II role Rosalind secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion Titus Andronicus tragedy tragic trans Univ University Press utterance Venice Venus verse woman women words York