Music, Film, and ArtWipf and Stock Publishers, 01.07.2010 - 234 Seiten Music, Film, & Art presents 13 lively essays on current issues in aesthetics and philosophy of the arts, from classifying a work as good or poor to the difficulties contemporary audiences face in attempting to understand and appreciate the avant-garde. Offering fresh insights on music, painting, and film, as well as literature, dance, theater, and sculpture, this thought-provoking volume will be of considerable interest to the serious general reader and to students, critics, and aestheticians. |
Inhalt
| 3 | |
Part | 37 |
About Imaginary Objects | 39 |
Fictional Sentences | 53 |
Part Three | 79 |
Movement and Action in the Performing Arts | 81 |
Film as Art | 104 |
Remarks on the CinematicUncinematic 3 3 | 133 |
On the Nature of Painting and Sculpture | 148 |
Part Four | 167 |
New Methods New Criteria | 169 |
Artistic Freedom and Social Control | 186 |
Humanistic Functions of the Arts Today | 196 |
The Need for Art in the Modern World | 208 |
| 219 | |
Movement and Action in Film | 140 |
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A-features A-film abstract particular actual aesthetic aestheticians architecture art form artist audience avant garde called centaurs cinema cinematographic Cleopatra Collingwood Concept of Art consists constitute created dance descriptive sense Dickens distinction distinguish elements emotional essay essential evaluative example exist expressive fact false fictional character fictional sentences film art film as art film’s foregoing Hamlet hence human Ibid ideal images imaginary objects imagined John Hospers Julius Caesar kind kinetic art latter logically man’s meaning medium mental Morris Weitz movement and action mutatis mutandis nature nonobjective novel opera ordinary conception painting and sculpture partly perceived performance person phenomenological philosophical physical Pickwick Papers play plot possible proposition qualities question refer regard relation represent actions respect Roberta Alden Ryle Ryle's sensuous significance sound film speak statements Symphony synthetic propositions tactile talking thesis three-dimensional Trapp true type A sentences visual art words work’s