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Seite 67
The French theatre has always been more self - conscious than the English ; more precise as to its genres ... the French have always taken great care to segregate their dramatic ' kinds , ' with high tragedy at one end of the scale ...
The French theatre has always been more self - conscious than the English ; more precise as to its genres ... the French have always taken great care to segregate their dramatic ' kinds , ' with high tragedy at one end of the scale ...
Seite 68
We ought to recall that the phrase ' confusion des genres ' still has some of its abusive quality in French . It has nothing to do with the happy and instinctive eclecticism of a Shakespeare ; we should rather think of the effect on a ...
We ought to recall that the phrase ' confusion des genres ' still has some of its abusive quality in French . It has nothing to do with the happy and instinctive eclecticism of a Shakespeare ; we should rather think of the effect on a ...
Seite 232
... previous work by Lambert , 1956 and 1959 respectively ) , and an English Picture Vocabulary test , were used to try to determine whether or not the child was a balanced bilingual , that is , equally Auent in French and English .
... previous work by Lambert , 1956 and 1959 respectively ) , and an English Picture Vocabulary test , were used to try to determine whether or not the child was a balanced bilingual , that is , equally Auent in French and English .
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Inhalt
INTERSTRUCTURALIZATION IN DRAMA | 15 |
Classical SOME RECENT THEORIES | 25 |
LUCRETIUS SENSE OF HUMOUR | 39 |
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