Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan, 1978 - 498 Seiten |
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Seite 72
... soliloquy we ought never to feel that we are being addressed . And in this respect , as in others , many of the soliloquies are master - pieces . But certainly in some the purpose of giving information lies bare , and in one or two the ...
... soliloquy we ought never to feel that we are being addressed . And in this respect , as in others , many of the soliloquies are master - pieces . But certainly in some the purpose of giving information lies bare , and in one or two the ...
Seite 143
... soliloquy and in the speech ' To be or not to be . ' This may be a mere accident , and it must be remembered that in the Fifth Act we have no soliloquy . But in the earlier Acts the feelings referred to do not appear merely in soliloquy ...
... soliloquy and in the speech ' To be or not to be . ' This may be a mere accident , and it must be remembered that in the Fifth Act we have no soliloquy . But in the earlier Acts the feelings referred to do not appear merely in soliloquy ...
Seite 225
... soliloquy , and when it is gratified Iago does not refer to it by a single word . The suspicion of Cassio's intrigue with Emilia emerges suddenly , as an after - thought , not in the first soliloquy but the second , and then disappears ...
... soliloquy , and when it is gratified Iago does not refer to it by a single word . The suspicion of Cassio's intrigue with Emilia emerges suddenly , as an after - thought , not in the first soliloquy but the second , and then disappears ...
Inhalt
LECTURE I | 5 |
LECTURE II | 40 |
LECTURE III | 79 |
Urheberrecht | |
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