The Centennial Review: CR., Band 19College of Arts and Letters, Michigan State University, 1975 |
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Seite 162
... characters in the novel . Reality , in Madame Bovary , is hardly ever seen apart from the distorting lens of each character's subjectivity— whether it is the pedestrianism of Charles , the enflamed temperament of Emma , the greed of ...
... characters in the novel . Reality , in Madame Bovary , is hardly ever seen apart from the distorting lens of each character's subjectivity— whether it is the pedestrianism of Charles , the enflamed temperament of Emma , the greed of ...
Seite 163
... character of Madame Bovary is the outcome of the impenetrability of one consciousness by another . The soul of a Flaubert character is hardened into habit , damned because it is incapable of fundamental change . By the dramatic I mean ...
... character of Madame Bovary is the outcome of the impenetrability of one consciousness by another . The soul of a Flaubert character is hardened into habit , damned because it is incapable of fundamental change . By the dramatic I mean ...
Seite 249
... characters , and in his use of the terms " womanly " and " manly . " Even Tess of the d'Urbervilles , the Hardy novel most sympathetic to women - a novel which focuses on a totally lovable female character and shows her destroyed by a ...
... characters , and in his use of the terms " womanly " and " manly . " Even Tess of the d'Urbervilles , the Hardy novel most sympathetic to women - a novel which focuses on a totally lovable female character and shows her destroyed by a ...
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