Papers on Literature and Art, Teile 1-2Wiley and Putnam, 1846 |
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Seite ii
... of the United States for the Southern District of New York . 8157 76 R. CRAIGHEAD'S POWER PRESS , T. B. SMITH , STEREOTYPER , 112 FULTON STREET . 216 WILLIAM STREET . CONTENTS . A SHORT ESSAY ON CRITICS .. A DIALOGUE AL 6797.15.
... of the United States for the Southern District of New York . 8157 76 R. CRAIGHEAD'S POWER PRESS , T. B. SMITH , STEREOTYPER , 112 FULTON STREET . 216 WILLIAM STREET . CONTENTS . A SHORT ESSAY ON CRITICS .. A DIALOGUE AL 6797.15.
Seite iii
Margaret Fuller. CONTENTS . A SHORT ESSAY ON CRITICS .. A DIALOGUE . THE TWO HERBERTS . THE PROSE WORKS OF MILTON . THE LIFE OF SIR JAMES MACKINTOSH . MODERN BRITISH POETS . THE MODERN DRAMA . DIALOGUE , CONTAINING SUNDRY GLOSSES ON ...
Margaret Fuller. CONTENTS . A SHORT ESSAY ON CRITICS .. A DIALOGUE . THE TWO HERBERTS . THE PROSE WORKS OF MILTON . THE LIFE OF SIR JAMES MACKINTOSH . MODERN BRITISH POETS . THE MODERN DRAMA . DIALOGUE , CONTAINING SUNDRY GLOSSES ON ...
Seite 1
... critics , imply our hopes and thereby our thoughts . act . First , there are the subjective class , ( to make use of a conve- nient term , introduced by our German benefactors . ) These are persons to whom writing is no sacred , no ...
... critics , imply our hopes and thereby our thoughts . act . First , there are the subjective class , ( to make use of a conve- nient term , introduced by our German benefactors . ) These are persons to whom writing is no sacred , no ...
Seite 2
... critic . They give an idea of certain certain act of men in a certain time or place . essential value is nothing . The long review , the eloquent arti- cle by the man of the nineteenth century , are of no value by themselves considered ...
... critic . They give an idea of certain certain act of men in a certain time or place . essential value is nothing . The long review , the eloquent arti- cle by the man of the nineteenth century , are of no value by themselves considered ...
Seite 3
... critic can only do who perceives the anal- ogies of the universe , and how they are regulated by an absolute , invariable principle . He can see how far that work expresses this principle , as well ... critic is A SHORT ESSAY ON CRITICS . 3.
... critic can only do who perceives the anal- ogies of the universe , and how they are regulated by an absolute , invariable principle . He can see how far that work expresses this principle , as well ... critic is A SHORT ESSAY ON CRITICS . 3.
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Häufige Begriffe und Wortgruppen
admiration Ambla Artevelde artist Bach beauty Beethoven better breast brother calm character Charles Wesley charm child clavichord critic Dædalus deep delight divine drama earth expression eyes faith fancy feel felt flowers fugue genius give grace Handel happy harmony harpsichord Haydn hear heart heaven honour hope hour human intellectual interest John Sebastian less light literature lives look Lord Madame de Staël means measured music melody mind misanthropy Mozart muse nature never noble o'er Paracelsus passages passion perfect Philip Van Artevelde picture play pleasure poems poet poetic poetry present Prince reverence rich scene seems Senesino Shakspeare Sir James Mackintosh song soul speak spirit Strafford SWEDENBORGIANISM sweet sympathy taste tears tender thee things thou thought tion tone true truth verse whole wish words Wordsworth write
Beliebte Passagen
Seite 71 - What thou art we know not: What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody. Like a poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not...
Seite 72 - Teach us, sprite or bird, What sweet thoughts are thine: I have never heard Praise of love or wine That panted forth a flood of rapture so divine.
Seite 37 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Seite 40 - In speech (which I have not) to make your will Quite clear to such an one, and say, "Just this "Or that in you disgusts me; here you miss, "Or there exceed the mark...
Seite 87 - A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear O Lady!
Seite 74 - Round whose rude shaft dark ivy-tresses grew Yet dripping with the forest's noonday dew, Vibrated, as the ever-beating heart Shook the weak hand that grasped it; of that crew He came the last, neglected and apart; A herd-abandoned deer struck by the hunter's dart.
Seite 74 - A love in desolation masked— a Power Girt round with weakness — it can scarce uplift The weight of the superincumbent hour ; It is a dying lamp, a falling shower, A breaking billow ; — even whilst we speak Is it not broken ? On the withering flower The killing sun smiles brightly ; on a cheek The life can burn in blood, even while the heart may break.
Seite 157 - Rise the blue Franconian mountains, Nuremberg, the ancient, stands. Quaint old town of toil and traffic, quaint old town of art and song, Memories haunt thy pointed gables, like the rooks that round them throng: Memories of the Middle Ages, when the emperors, rough and bold, Had their dwelling in thy castle, time-defying, centuries old; And thy brave and thrifty burghers boasted, in their uncouth rhyme, That their great imperial city stretched its hand through every clime.
Seite 72 - What objects are the fountains Of thy happy strain? What fields or waves or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain? With thy clear keen joyance Languor cannot be; Shadow of annoyance Never came near thee; Thou lovest, but ne'er knew love's sad satiety.
Seite 88 - To lift the smothering weight from off my breast? It were a vain endeavour, Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.