Essays by Divers Hands |
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Seite 67
... characters . Liam O'Flaherty , with probably the greatest claim to genius of his Irish contemporaries , used very little dialogue . If that would seem to suggest that under self - government Southern Ireland has got rid of the stage ...
... characters . Liam O'Flaherty , with probably the greatest claim to genius of his Irish contemporaries , used very little dialogue . If that would seem to suggest that under self - government Southern Ireland has got rid of the stage ...
Seite 84
... characters - is familiar , either because it is an enhanced version of something in Wodehouse's own experience or because it is a burlesque of some prevailing literary form , usually not a very ambitious one . In saying this I am led ...
... characters - is familiar , either because it is an enhanced version of something in Wodehouse's own experience or because it is a burlesque of some prevailing literary form , usually not a very ambitious one . In saying this I am led ...
Seite 137
... characters and , in particular , about the extraordinary intermeshing which takes place in the revised text . In his reworking Sidney sets in action a vast series of interlocking stories and characters , actions and personalities ...
... characters and , in particular , about the extraordinary intermeshing which takes place in the revised text . In his reworking Sidney sets in action a vast series of interlocking stories and characters , actions and personalities ...
Inhalt
by Sir Richard Faber KCVO CMG FRSL | 1 |
FRENCH WRITERS | 14 |
Willard Connely Memorial Lecture | 41 |
Urheberrecht | |
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