The Music of the Close: The Final Scenes of Shakespeare's Tragedies

accept action Albany Antony and Cleopatra Antony's apparently assertion becomes begins bring Caesar cause characters comedy comes comic continue Cordelia course dead death Desdemona desire disorder drama earlier Edgar effect energy experience expresses fact father feel final scenes give Gloucester gods Hamlet human imagination important interesting ironic justice Kent kill kind King Lear learned least less lines lives look Macbeth means metaphor moral murder nature never once Othello perception perhaps play possibility present problem question reason relation response rest revenge Richard ritual Roman seems sense sexual Shakespeare shape shows simply speak speech stage story structure suggests suicide tell thee things thou Timon tragedy tragic tragic figures tragic hero triumph Troilus true turn union V.ii verbal wants wish