Lamb's Criticism: A Selection from the Literary Criticism of Charles LambThe University Press, 1923 - 114 Seiten |
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Seite 15
... imagination in trying circumstances , in the conflicts of duty and passion , or the strife of contending duties ; what sort of loves and enmities theirs were ; how their griefs were tempered , and their full - swoln joys abated : how ...
... imagination in trying circumstances , in the conflicts of duty and passion , or the strife of contending duties ; what sort of loves and enmities theirs were ; how their griefs were tempered , and their full - swoln joys abated : how ...
Seite 19
... imagination . The prologue to the second part , for its passionate earnestness , and for the tragic note of ... imaginative people . Shakspeare knew the force of signs : a ' malignant and a turban'd Turk . ' This ' meal - cap miller ...
... imagination . The prologue to the second part , for its passionate earnestness , and for the tragic note of ... imaginative people . Shakspeare knew the force of signs : a ' malignant and a turban'd Turk . ' This ' meal - cap miller ...
Seite 23
... imagination of ordinary poets . As they are not like inflictions of this life , so her language seems not of this world . She has lived among horrors till she is become ' native and endowed unto that element . ' She speaks the dialect ...
... imagination of ordinary poets . As they are not like inflictions of this life , so her language seems not of this world . She has lived among horrors till she is become ' native and endowed unto that element . ' She speaks the dialect ...
Seite 25
... imagination to Calvary and the Cross ; and we seem to perceive some analogy between the scenical sufferings which we are here contemplating , and the real agonies of that final completion to which we dare no more than hint a refer- ence ...
... imagination to Calvary and the Cross ; and we seem to perceive some analogy between the scenical sufferings which we are here contemplating , and the real agonies of that final completion to which we dare no more than hint a refer- ence ...
Seite 32
... imagination's substituted nature , which does almost as well in a fiction . Not a third part of the treasures of old English dramatic literature has been exhausted . Are we afraid that the genius of Shakspeare would suffer in our ...
... imagination's substituted nature , which does almost as well in a fiction . Not a third part of the treasures of old English dramatic literature has been exhausted . Are we afraid that the genius of Shakspeare would suffer in our ...
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