Shakespeare the ThinkerYale University Press, 2007 - 428 Seiten A. D. Nuttall’s study of Shakespeare’s intellectual preoccupations is a literary tour de force and comes to crown the distinguished career of a Shakespeare scholar. Certain questions engross Shakespeare from his early plays to the late romances: the nature of motive, cause, personal identity and relation, the proper status of imagination, ethics and subjectivity, language and its capacity to occlude and to communicate. Yet Shakespeare’s thought, Nuttall demonstrates, is anything but static. The plays keep returning to, modifying, and complicating his creative preoccupations. Nuttall allows us to hear and appreciate the emergent cathedral choir of play speaking to play. By the later stages of Nuttall’s book this choir is nearly overwhelming in its power and dimensions. The author does not limit discussion to moments of crucial intellection but gives himself ample space in which to get at the distinctive essence of each work. Much recent historicist criticism has tended to "flatten” Shakespeare by confining him to the thought-clich s of his time, and this in its turn has led to an implicitly patronizing view of him as unthinkingly racist, sexist, and so on. Nuttall shows us that, on the contrary, Shakespeare proves again and again to be more intelligent and perceptive than his 21st-century readers. This book challenges us to reconsider the relation of great literature to its social and historical matrix. It is also, perhaps, the best guide to Shakespeare’s plays available in English. |
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Seite 42
... thou knowest what thou wishest to do with me ; do with me , according to thy will . " It may be said that this is simply the common language of prayer . But the sad , helpless , good man of Shakespeare's trilogy comes through clearly ...
... thou knowest what thou wishest to do with me ; do with me , according to thy will . " It may be said that this is simply the common language of prayer . But the sad , helpless , good man of Shakespeare's trilogy comes through clearly ...
Seite 115
... thou day in night , For thou wilt lie upon the wings of night , Whiter than new snow upon a raven's back . Come , gentle night , come , loving , black - brow'd night , Give me my Romeo , and , when I shall die , Take him and cut him out ...
... thou day in night , For thou wilt lie upon the wings of night , Whiter than new snow upon a raven's back . Come , gentle night , come , loving , black - brow'd night , Give me my Romeo , and , when I shall die , Take him and cut him out ...
Seite 302
... thou clovest thy crown i ' th ' middle and gav'st away both parts , thou bor'st thine ass on thy back o'er the dirt . Thou hadst little wit in thy bald crown when thou gav'st thy golden one away . ( I.iv.155-63 ) Together with putting ...
... thou clovest thy crown i ' th ' middle and gav'st away both parts , thou bor'st thine ass on thy back o'er the dirt . Thou hadst little wit in thy bald crown when thou gav'st thy golden one away . ( I.iv.155-63 ) Together with putting ...
Inhalt
To the Death of Marlowe | 25 |
Learning Not to Run | 87 |
The Major Histories | 133 |
Urheberrecht | |
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