Music, Film, and Art

A-features A-film abstract particular actual aesthetic aestheticians architecture art form artist audience avant garde called centaurs cinema cinematographic Cleopatra Collingwood Concept of Art consists constitute created dance descriptive sense Dickens distinction distinguish elements emotional essay essential evaluative example exist expressive fact false fictional character fictional sentences film art film as art foregoing Hamlet hence human Ibid ideal images imaginary objects imagined important John Hospers Julius Caesar kind kinetic art latter logically meaning medium mental Morris Weitz movement and action mutatis mutandis nature nonobjective novel opera ordinarily ordinary conception painting and sculpture partly perceived performance person phenomenological philosophical physical Pickwick Papers play plot possible proposition qualities question refer regard relation represent actions respect Roberta Alden Ryle Ryle's screen sensuous significance sound film speak statements symphony synthetic propositions tactile talking thesis three-dimensional Trapp true type A sentences vis-à-vis wholly words work's