Sordid Images: The Poetry of Masculine DesireRoutledge, 02.09.2003 - 296 Seiten In this extraordinary and bold book, S.H. Clark explores and constructs a history of poetic misogyny. For the first time, a wide range of English poetry by men is examined for evidence of the articulation of heterosexual masculine desires. |
Inhalt
1 | |
2 ALL THIS THE WORLD WELL KNOWS | 33 |
3 SOMETHING GENROUS IN MEER LUST? | 73 |
4 LET BLOOD AND BODY BEAR THE FAULT | 105 |
5 BLAKE AND FEMALE REASON | 135 |
6 TESTING THE RAZOR | 185 |
7 GET OUT AS EARLY AS YOU CAN | 217 |
255 | |
281 | |
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acknowledged Alan Bold Albion apostrophe appears arousal beauty becomes Belinda Blake Bold Bromion Burford Caelica claims context continuous cultural Cunt desire Eliot Eliot’s emotion equation erotic ev’ry example explicit eyes female body feminine feminism feminist Four Zoas gender girl hate heart homosocial ideal idealisation implies impulse Jerusalem kind Lady Larkin libertine lover lust lyric male man’s masculine merely misogynist misogyny mistress mode narrative narrator nature offers Oothon paradoxical Parker passion perhaps Philip Larkin physical pleasure poem poet poetry Pope Pope’s possession possible Ramble in Saint reader reason reference relation remains represent repudiation rhetorical Rochester Rochester’s Rousseau satire Satyr seems seen sense sequence sexual Shakespeare simultaneously social Sonnet 20 sonnets soul speaker specific Stallworthy stress suggests Sweeney swive T.S. Eliot texts thee Theotormon There’s thou tradition Urizen verse voice Whitsun Weddings Whore Wollstonecraft 1792 woman women youth