"Secret, Black, and Midnight Hags": The Conception, Presentation and Functions of Witches in English Renaissance DramaBraumüller, 2005 - 439 Seiten |
Im Buch
Ergebnisse 1-3 von 20
Seite 60
... oppose the teachings of the Roman Catholic Church and to defend the Reformation , too . ' As a radical work , it was ... opposition to God and the Laws . Infidelitas , the main Vice and antagonist to Deus Pater , employs Sodomis- mus and ...
... oppose the teachings of the Roman Catholic Church and to defend the Reformation , too . ' As a radical work , it was ... opposition to God and the Laws . Infidelitas , the main Vice and antagonist to Deus Pater , employs Sodomis- mus and ...
Seite 161
... opposition of appearance and reality , is unfaithful to herself , and at the same time she is overtaken by a political development she is no longer able to control.245 Most recently , Michael Taylor has contradicted such a reading by ...
... opposition of appearance and reality , is unfaithful to herself , and at the same time she is overtaken by a political development she is no longer able to control.245 Most recently , Michael Taylor has contradicted such a reading by ...
Seite 263
... opposition , each is the other " ( 51 ) . As Stephen Regan remarks , " The alliterative choric couplet is highly significant , since it initi- ates the language of paradox and ambiguity so strongly characteristic of Macbeth ...
... opposition , each is the other " ( 51 ) . As Stephen Regan remarks , " The alliterative choric couplet is highly significant , since it initi- ates the language of paradox and ambiguity so strongly characteristic of Macbeth ...
Inhalt
Witchcraft in the European Context | 13 |
Malevolent Witches in English Renaissance Drama | 55 |
Conclusions | 291 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
accused Ages appearance aspect associated audience authority become belief Birth of Merlin called cause character charm classical concept conjuring considered contemporary context contrast created Critical death demons desire devil drama edition effects elements Elizabethan England English Enter especially evil expresses fact fear female figures forces function further hand Hecate History Holinshed human identifies important influence interesting interpretation Introd Joan Joan's John kill King Lady lines lives London Macbeth magic major male Masque means Mother Mother Sawyer murder nature night notes original passage performance person play powers practices present Queens question reading refers regarded relation remarks Renaissance represents result reveals scene seems sense sexual Shakespeare shows Sisters social spirits stage suggests supernatural supposed term thee Thomas thou thought tion traditional witchcraft witches woman women